Posts tagged Television
Posts tagged Television
The news that Matt Smith is to leave his role in Doctor Who at the end of 2013 has already prompted speculation on the identity of his replacement.
A host of names have been suggested in Sunday’s papers, among them Idris Elba, Dame Helen Mirren and John Hurt.
Also included in their list: David Harewood, Rupert Grint, Russell Tovey, Ben Whishaw, Billie Piper, Colin Morgan, and Tom Hiddleston
We have to say that the speculation so far on the twelfth doctor Tumblr tag has been smarter and well considered and a lot more entertaining than what we’re reading in the press.
So keep it going.
In case you missed Saturday’s news, The BBC has announced that Matt Smith is to leave Doctor Who after four years on the show.
The genre-defying screenwriter explores his passion for writing, and discusses penning acclaimed scripts during what he regards a ‘golden period’ for British television.
Pilot Scripts for UK and USA
Hey guys, I know this is unusual for me because I don’t usually do things like promos, but this blog really deserves more recognition. She is a screenwriter who provides valuable resources and insights on writing and the writing business, not just having to do with screenwriting and movies….
Up to the minute info from The Hollywood Reporter as orders come in for TV Pilots and a few series orders. Keep up with showrunners and where writers are going as well as well as what’s about to start shooting.
In the West, plot is commonly thought to revolve around conflict: a confrontation between two or more elements, in which one ultimately dominates the other. The standard three- and five-act plot structures—which permeate Western media—have conflict written into their very foundations. A “problem” appears near the end of the first act; and, in the second act, the conflict generated by this problem takes center stage. Conflict is used to create reader involvement even by many post-modern writers, whose work otherwise defies traditional structure.
The necessity of conflict is preached as a kind of dogma by contemporary writers’ workshops and Internet “guides” to writing. A plot without conflict is considered dull; some even go so far as to call it impossible. This has influenced not only fiction, but writing in general—arguably even philosophy. Yet, is there any truth to this belief? Does plot necessarily hinge on conflict? No. Such claims are a product of the West’s insularity. For countless centuries, Chinese and Japanese writers have used a plot structure that does not have conflict “built in”, so to speak. Rather, it relies on exposition and contrast to generate interest. This structure is known as kishōtenketsu.