Writer of Screen

Germaine de Pibrac James

12 notes

The Complete Guide To Things Referenced on Children of Tendu: Episode 1


For anyone who doesn’t know what the hell I’m talking about, here’s a link to the podcast website: http://childrenoftendu.libsyn.com/

Within, Jose Molina (Firefly, Sleepy Hollow, Vampire Diaries) and Javier Grillo-Marxuach (Lost, The Middleman, Helix) dish out tons of…

Filed under screenwriting scriptwriting writing screenplay script television javi grillo marxuach jose molina helix lost the middleman firefly sleepy hollow the vampire diaries children of tendu

44 notes

If you want to write movies, you can’t stop after you get pissed on and rejected, ’cause you’re gonna get pissed on and rejected. Nobody wants your stuff. Once you become somebody, they’ll read it—but nobody wants to give anybody their first shot.
William Goldman (via maxyoder)

(via writerlyn)

Filed under screenwriting scriptwriting writing script screenplay film movies television William Goldman The Princess Bride Chaplin Misery All the President's Men Marathon Man

9 notes

There is More than One Way to Skin a Trope

"Even with tropes about tropes (metatropes) that describe how tropes tend to be used, it can be hard to pin down the exact relationship between a trope and a particular work. This is a quick-reference guide of ways to play a trope, illustrated for clarity with two simple examples: The Butler Did It (committed the murder in a mystery story) Power Glows (powerful weapons glow)"

Filed under screenwriting scriptwriting writing screenplay script film television movie novel trope storytelling story conventions writing rules

11 notes


it’s the new tendu!

episode 4 - the writers’ room - how do i work this?

The great unspoken truth of television writing is that - by and large - writers spend most of their time not at the keyboard, but in a conference room collaborating on stories with other writers. In this super-sized episode, Jose and Javi use case studies from their work on “Lost” and “The Vampire Diaries” to discuss how the writers room works, how stories are created in most television shows, but also the procedures and etiquette of this most misunderstood part of the TV writing process.

Filed under screenwriting scriptwriting writing screenplay script television Javier Grillo Marxuach Jose Molina Children of Tendu Lost Helix The Middleman Sleepyhollow

11 notes

Character Flaw Index

To make characters realistic and relatable they are given flaws, because if there is anything a writer can be sure of it is that no one in their audience will be perfect. Flaws are character traits that have a negative impact in the narrative, unless they are simply informed. They can also be exploited. See Good Flaws, Bad Flaws for a scale of flaw acceptability.

Thanks to Steve Solomon for this!

Filed under screenwriting sccriptwriting writing screenplay script film television movie book novel writing resources character

9 notes

The Bitter Script Reader: My thoughts on "Why Producers Will Not Read Your Script"

"Elsewhere on the internet, you’ve probably already seen this blog post entitled, "Why Producers Will Not Read Your Script." It’s a posting of an email exchange between a producer and a writer trying to get him to consider his script. I’ve seen other sites cover this and focus on the fact that the writer responds terribly to the original Pass, but that overlooks that fact that his initial email is pretty terrible as well."

Filed under screenwriting scriptwriting. writing screenplay script producer query film television movie bitter script reader

8 notes

Meet the Reader: Story Exposition - Let Me Explain (But Not Too Much)

"I recently assessed a screenplay that began with twenty pages of material chronicling the life of the story’s protagonist from infancy to his mid-30s, which is the age he is when the main action begins. These twenty pages were not prologue – a prologue contains elements that are relevant to and pay off in the main plotline. No, this material was simply biography – nonessential backstory without narrative point or purpose."

Filed under screenwriting scriptwriting writing film television movie script screenplay exposition screenwriting advice